by earinfluxion | Jan 31, 2018 | Uncategorized
Memotone: “You Saw The Future” (Chime Hours, Black Acre 2016)Squirmy digital signal noise writhes atop this elegant arrangement for piano, strings, and electronics, found on Memotone’s 2016 full-length for Black Acre.(Source: https://www.youtube.com/)
by earinfluxion | Jan 28, 2018 | Uncategorized
Vittoria Fleet: “Return” (Entangled EP, 2DIY4 2017)The second cut from Vittoria Fleet’s EP released last year shows them exploring a more spacious sensibility, not so packed full of sound like their previous efforts. They still sound great, intense, and...
by earinfluxion | Jan 26, 2018 | Uncategorized
Zuli: Numbers (UIQ)Lee Gamble’s UIQ imprint brings a second EP from Egyptian producer Zuli (aka Ahmed Al Gazoly), and it’s a good one. Much like Gamble’s own works tend to push the envelope of sound design and the outer limits of dance and bass...
by earinfluxion | Jan 26, 2018 | Uncategorized
James Blake: “If The Car Beside You Moves Ahead” (2018)James Blake’s latest is a cool hybrid of his more cut-up, weirder tunes like 2010′s CMYK and his more song-based albums that followed. His fragmented, stuttering, and manipulated vocal phrases eventually yield to...
by earinfluxion | Jan 24, 2018 | Uncategorized
The Horrors: “I Can See Through You (Blanck Mass Remix)” (Higher, XL 2012)This sublime, sprawling tranced-out remix of of UK band The Horrors, as turned out by Fuck Buttons’ Benjamin John Power (aka Blanck Mass), kicks off their 2012 album of remixed selections from...
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