EAR INFLUXION

Words about electronic & experimental music

SINCE 2010

Matthew Mercer’s Vintage Tomorrows score now available for pre-orderThe score I composed for Byrd McDonald’s documentary feature Vintage Tomorrows is now available for pre-order on...

Norn: Usotsuki (Moving Furniture)Norn’s mini-album is less than 26 minutes long, an oddly brief but involved musical journey that traverses a good amount of terrain in its playback....

Mica Levi: “Love” (Under the Skin, 2014)Mica Levi’s score for Jonathan Glazer’s Under the Skin will hopefully be recognized for the masterpiece that it is with more time… (Source:...

John Carpenter: “The Fog Moves Inland” (The Fog score, 1980) John Carpenter’s legacy is just as strong as a composer as it is as filmmaker to me. The Fog is one of his better...

Lalo Schifrin: “The Exorcist (Rejected Score)” (1973) Lalo Schifrin’s score for William Friedkin’s The Exorcist film was rejected by the director, who ended up using existing...

Henry Manfredini: “Friday the 13th Part 3 Theme” (1983) No introduction necessary. Happy Friday the 13th!

Jeremy Schmidt: “Admittance” (Beyond the Black Rainbow, 2010) For those who haven’t seen Panos Cosmatos’ 2010 film, Beyond the Black Rainbow, I’d advise you to proceed...

Gustavo Santaolalla: “Do We Lose 21 Grams?” (21 Grams, 2003)(Source: https://www.youtube.com/)

Gustavo Santaolalla: “Do We Lose 21 Grams?” (21 Grams, 2003)(Source: https://www.youtube.com/)

John Carpenter: “Laurie’s Theme” (Halloween, 1978) Another classic.

John Carpenter & Alan Howarth: “Season of the Witch / Chariots of Pumpkins” (Halloween III: Season of the Witch, 1983) I can’t help but wonder if Halloween III would have been...

Barry Adamson: “On the Wrong Side of Relaxation” (Moss Side Story, Mute 1988) Barry Adamson’s Mute debut in the late 80s remains odd and interesting 25 years later. It’s by...

Olafur Arnalds: Two Songs For Dance (Erased Tapes) Short and sweet, these two understated pieces suggest movement in a far less obvious way than what one might expect. Both have an elegant...

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