EAR INFLUXION

Words about electronic & experimental music

SINCE 2010

Microfilm: Joe Gage Bubblegum remixes out now

Microfilm: Joe Gage Bubblegum remixes out now

Microfilm’s “Joe Gage Bubblegum,“ originally released on our most recent album Cherry Love Amour, has been remixed by Current Control. Both mixes are hot takes on our quite different original — free...

Answer Code Request: Gens (Ostgut Ton)

Answer Code Request: Gens (Ostgut Ton)

Patrick Gräser has released a new album as Answer Code Request on esteemed Berlin label Ostgut Ton, arriving four years after his full-length debut for the imprint, Code. It’s been in heavy rotation...

Shuttle358: Field (12k)

Shuttle358: Field (12k)

Dan Abrams’ Shuttle358 project was one of the first things I heard on 12k, way back in 2000 when his second album Frame was released by the fledgling label. It was a brave new world at the time, a...

New music from Microfilm on the way

New music from Microfilm on the way

The latest Microfilm album, Cherry Love Amour, is done! We’ve finished assembling our tracks and are in the process of prepping it for the final mastering process. We expect to release the finished...

Yann Novak: Surroundings (LINE)Los Angeles-based sound and visual artist Yann Novak’s Surroundings originated as a site-specific sound performance commissioned for the Hamon...

Vittoria Fleet: “Return” (Entangled EP, 2DIY4 2017)The second cut from Vittoria Fleet’s EP released last year shows them exploring a more spacious sensibility, not so packed full of sound like their...

Zuli: Numbers (UIQ)Lee Gamble’s UIQ imprint brings a second EP from Egyptian producer Zuli (aka Ahmed Al Gazoly), and it’s a good one. Much like Gamble’s own works tend...

James Blake: “If The Car Beside You Moves Ahead” (2018)James Blake’s latest is a cool hybrid of his more cut-up, weirder tunes like 2010′s CMYK and his more song-based albums that followed. His...

Ear Influxion’s Best Music of 2017

The end of the year is always a daunting time for me as a writer and music aficianado. Having released not one but three solo projects this year, I spent a lot of the front half of the year mired in...

Meat Beat Manifesto: “Re-Animator, Pt. 4″ (Storm the Studio, Wax Trax 1989)Signs of where Jack Dangers would take MBM in subsequent years in its dubby low end and delay, but not before a couple more...

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