It’s that time of the year again, when I finally have more time on my hands to both listen to music as well as some time to read about and listen to some of the myriad fine releases that so many...
EAR INFLUXION
Words about electronic & experimental music
SINCE 2010
Steve Roden & Frank Bretschneider: Suite Nuit (Line)Suite Nuit is an interesting document of the meeting of these two musical minds, dating back to 2004. Steve Roden is a...
Scott Taggart, Lary Seven & Felix Kubin: 1:17 (Live at ISSUE Project Room NYC, Gagarin) Conceptual art is often only as good or as strong as its concept. In the case of this live...
@c: Ab OVO (Crónica) The man has fallen. The skull opens. Time expands. What is left of the the memory fades away on the floor. He has just lost the notion of future, only the past and his...
Luke Abbott: Wysing Forest (Border Community) Luke Abbott has seemed to fly slightly under the radar relative to his Border Community partners in crime, James Holden and Nathan Fake....
Stefan Goldmann: “Métallique Resonator” Originally developed for the Ondes Martenot electronic instrument in 1928, the “Métallique” is a musical loudspeaker construction with...
Colin Vallon Trio: Le Vent (ECM) Swiss pianist Colin Vallon is new to me, but his collaborations with Patrice Moret (double-bass) and Julian Sartorius (drums) are stunning. Le Vent is...
Fenn O'Berg: “Vampires of Hondori” (In Hell, 2012 Editions Mego) Recorded live at Club Quatro in Hiroshima, Japan, 19 November 2010. The improvised live performances of Peter Rehberg,...
Tim Hecker: Virgins (Kranky) The first thing by which I’m struck on Tim Hecker’s latest outing is how much his real-time collaborations with Daniel Lopatin seemed to have...
Airchamber3: Peripheral (Frattonove) Airchamber3 consists of Andrea Ferraris (guitar, bass, laptop, effects, drums), Luca Serrapiglio (alto, tenor & baritone saxophone, bass clarinet,...
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