Alessandro Cortini: AVANTI (Point of Departure)Alessandro Cortini’s latest album of synth excursions is incredibly solid. It builds on the body of work he’s been producing on...
EAR INFLUXION
Words about electronic & experimental music
SINCE 2010
Alessandro Cortini: AVANTI (Point of Departure)Alessandro Cortini’s latest album of synth excursions is incredibly solid. It builds on the body of work he’s been producing on...
John Bender: “33a1″ (I Don’t Remember Now, Record Sluts 1980)John Bender’s I Don’t Remember Now was originally released in 1980, and it has just been reissued after many years out of print by...
The Legendary Pink Dots: “Kalos Melas” (Synesthesia, 2002 Terminal Kaleidoscope)The Legendary Pink Dots’ popularity has waned, but they still have a very loyal audience. This disorienting...
McFerrdog: Lawd Forgive Me (1080p) With the opening phrases of “Bless This Mess,” Max McFerren whets his listeners’ palates with a gorgeously canned MIDI music sounding motif, unfolding...
John Carpenter: “The Fog Moves Inland” (The Fog score, 1980) John Carpenter’s legacy is just as strong as a composer as it is as filmmaker to me. The Fog is one of his better...
synthesizerpics: Drool… by grandear412 http://ift.tt/1nMNrEr
M. Geddes Gengras: Collected Works Vol. 1 – The Moog Years (Umor Rex) M. Geddes Gengras has a sizable repertoire preceding him, even though this collection of Moog synth excursions is my...
John Carpenter & Alan Howarth: “Season of the Witch / Chariots of Pumpkins” (Halloween III: Season of the Witch, 1983) I can’t help but wonder if Halloween III would have been...
Donato Dozzy: Plays Bee Mask (Spectrum Spools) Ambient and techno producer Donato Dozzy reworks Beemask’s “Vaporware” track in a variety of shapes and sizes with this...
Conrad Schnitzler & Andreas Reihse: Con-Struct (m=minimal) Andreas Reihse is perhaps best known as one of the founding members of experimental electronic act Kreidler, but he’s...
Nils Frahm: Juno (Erased Tapes) This absolutely stunning 2-track EP focuses on synthesizer explorations and leaves behind the piano sensibility of Frahm’s previous full-length. Frahm...
Napolian: Rejoice (Software) This EP on Ford & Lopatin’s Software label is a weird, woozy combination of 80s Linn-drum homage and melodic synth-pop flair. It’s a lot of...
Laurel Halo: Quarantine (Hyperdub) Finally, Laurel Halo’s debut album has arrived, curiously on Hyperdub, the UK bass music label responsible for delivering unto us such acts as...
High Places: “Sophia” (Original Colors, Thrill Jockey 2011) I never got a chance to give props to High Places’ last album, which earned a slot in my admittedly bloated and not very...
Recent Comments