My 2019 album Entropy provided the source material for the latest addition to the ongoing (m)ORPH Artist Series from Seattle composer Kasson Crooker (Symbion Project, ELYXR). (m)ORPH is a 3D VR...
EAR INFLUXION
Words about electronic & experimental music
SINCE 2010
Andy Stott: It Should Be Us (Modern Love)
Andy Stott’s first new material in over 3 years came and went late last year without me noticing, which is both a sad commentary on how detached from new music I’ve been in the last year and how...
AHRKH: Beams From a Spiritual Panorama (Golden Ratio Frequencies)
This solo effort from Gnod member A P Macarte, originally released on cassette on Golden Ratio Frequencies but thankfully also available digitally on their Bandcamp page, explores the notion of...
Eli Keszler: Stadium (Shelter Press)
It’s that time of the year again, when I finally have more time on my hands to both listen to music as well as some time to read about and listen to some of the myriad fine releases that so many...
Djrum: Portrait With Firewood (R&S Records)
While I’d heard some tracks here and there from UK producer Felix Manuel, I was completely unprepared for just how good this album is. Portrait With Firewood...
Skee Mask: Compro (Ilian Tapes)
What a pleasant surprise this album has been for me. While I’d heard some of Skee Mask’s EPs over the last few years and enjoyed them, I’d no idea he would translate his various cross-genre...
worriedaboutsatan: Volte/They Are In Our House Now / Who Is A Hunter? / Cloaking (This Is It Forever)
At long last, new music from this outfit whose last full-length Blank Tape had a well-deserved mention in Ear Influxion’s Best of 2017 list. (The album is actually dated 2016, but who’s keeping...
Mr. G: “Getting There… DETROIT” (VFM EP, Phoenix G 2013)No nonsense Detroit techno homage/jam from Mr. G on this nice slice of wax from a few years back.(Source: https://www.youtube.com/)
Autechre: “spl47″ (JNSN CODE GL16 / spl47, Touched Music 2017)This release is actually just a repackaging of Autechre’s contributions to Touched Music’s Touched 2 and Touched 3 compilations,...
FJAAK: “Wolves” (FJAAK, Monkeytown 2017)(Source: https://www.youtube.com/)
Jan Jelinek: Zwischen (Faitiche)Jan Jelinek’s reputation in German electronic music culture quietly approaches legendary as his seminal Loop-Finding-Jazz-Records (2001) album and his...
Martyn: “We Are You In The Future” (Ghost People, Brainfeeder 2011)Still one of my favorite cuts from Dutch producer Martyn, putting his own spin on a throwback vibe akin to Lone.(Source:...
Chloé: “Because It’s There” (Endless Revisions, Lumière Noire 2017)This slow burn from Chloé’s full-length last year on Lumière Noire crept up on me in all the right ways. It’s probably the most...
Kara-Lis Coverdale: “Touch Me & Die” (Aftertouches, Sacred Phases 2015)This exuberant, bright instrumental from Kara-Lis Coverdale is a fairly sharp contrast from her more recent meditative...
Porya Hatami & Arovane: “Unn” (Kaziwa, Time Released Sound / n5MD)German producer Uwe Zahn (Arovane) and Iranian experimental artist Porya Hatami released their collaboration album Kaziwa as a...
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