EAR INFLUXION

Words about electronic & experimental music

SINCE 2010

Shuttle358: Field (12k)

Shuttle358: Field (12k)

Dan Abrams’ Shuttle358 project was one of the first things I heard on 12k, way back in 2000 when his second album Frame was released by the fledgling label. It was a brave new world at the time, a...

Anne Guthrie: Brass Orchids (Students of Decay)Anne Guthrie’s latest dives headlong into a murky and sublime world of field recordings and ephemera. Dedicated to her deceased...

Porya Hatami & Arovane: “Unn” (Kaziwa, Time Released Sound / n5MD)German producer Uwe Zahn (Arovane) and Iranian experimental artist Porya Hatami released their collaboration album Kaziwa as a...

Yann Novak: Surroundings (LINE)Los Angeles-based sound and visual artist Yann Novak’s Surroundings originated as a site-specific sound performance commissioned for the Hamon...

Bowery Electric: “Under the Sun” (Beat, Kranky 1996)Still an underrated classic by my own standards, Bowery Electric’s Beat is a long-time favorite. They never quite got their due, and I’ve always...

Ear Influxion’s Best Music of 2017

The end of the year is always a daunting time for me as a writer and music aficianado. Having released not one but three solo projects this year, I spent a lot of the front half of the year mired in...

Gregg Kowalsky: L'Orange, L'Orange (Mexican Summer)The artwork for Gregg Kowaksy’s first solo album in several years is a good tone setter for the sounds within. He both designed the...

Pan•American: “Right of Return” (The River Made No Sound, Kranky 2002)Mark Nelson’s Pan American project explores everything from slowcore post-rock (not unlike his other collaborations as...

Sarah Davachi: All My Circles Run (Students of Decay)Canadian artist Sarah Davachi’s fourth album is about as minimal as they come. Hushed and stark, each of its five tracks is...

Recent Comments