EAR INFLUXION

Words about electronic & experimental music

SINCE 2010

Violent Onsen Geisha: The Midnight Gambler (Pure, 1996)Nakahara Masaya’s 1996 album as Violent Onsen Geisha for the minimally adorned Pure label is a crazy masterwork of obnoxious cut-ups and...

Violent Onsen Geisha: The Midnight Gambler (Pure, 1996)Nakahara Masaya’s 1996 album as Violent Onsen Geisha for the minimally adorned Pure label is a crazy masterwork of obnoxious cut-ups and...

Ensemble Skalectrik: “Wrekfree” (Trainwrekz, Editions Mego 2013) Nick Edwards a.k.a. Ekoplekz in one of his weirder projects, repurposing old sound effects and easy listening records...

Stefan Goldmann: “Métallique Resonator” Originally developed for the Ondes Martenot electronic instrument in 1928, the “Métallique” is a musical loudspeaker construction with...

Aube: “Hymn” (Pages From the Book, Elsie & Jack 1998) R.I.P. Nakajima Akifumi, a.k.a. Aube. His output was so vast and prolific that I only heard a small amount of his music, but...

S.B.O.T.H.I. “C.B.A.” (Q.E.D., NL Centrum 1988) Vintage weirdness courtesy of Achim Wollscheid, under his early Swimming Behavior of the Human Infant acronym. The entire Q.E.D....

Various Artists: An Anthology of Noise and Electronic Music: Seventh and Last Chronology, 1930-2012 (Sub Rosa) The seventh and final installment in Sub Rosa’s massive series....

Seth Cluett: Objects Of Memory (Line) Seth Cluett’s pieces here are incredibly subtle. He combines traditional instruments with appropriated objects and mis-used materials to...

Pierre Henry: “Le Voile d'Orphée” (1953) I’ve been trying to find a good digital copy of the full version of this piece — this shortened version is over 10 minutes shorter than the...

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