EAR INFLUXION

Words about electronic & experimental music

SINCE 2010

I’m sure Jimi Hendrix had a very intimate relationship with his guitar. But it’s also very different when the instrument you use is the same that you Skype your mom on, and get really good or bad news on – it’s just such an intimate, integrated part of your lifestyle in a way that I don’t think has ever been possible before, and so if that could somehow be communicated, I think it would be really interesting. I’m trying to explore that now, to get at the crux of the intimacy we have with our technology, because so many people really cast it in this light of the laptop being cold. I really think it’s a fallacy the way people cast technology in this light and then cast acoustic or even analogue instruments in this warm, human light, because I don’t understand what would be more human between a block of wood and something that was also created by humans, for humans. People see code as this crazy, otherworldly thing, but it’s just people writing text. It’s a very idiosyncratic, human language.

Read more

Jean-Claude Risset: Music From Computer (Recollection GRM) This release collects three different pieces from French composer Risset, each made with a computer in a different decade. The...

Lee Gamble: Diversions 1994-1996 (PAN)Lee Gamble: Dutch Tvashar Plumes (PAN) Lee Gamble was new to me when he released these two albums on the esteemed PAN label. Each release is unique...

Jasmina Maschina: Alphabet Dream Noise (Staubgold) “Folktronica” — what an unfortunate genre music journalists conjured up to explain the merging of computer music and acoustic...

Eric Lanham: The Sincere Interruption (Spectrum Spools) Eric Lanham’s debut for Spectrum Spools is an interesting and unpredictable foray into electronic tinkering. His time in...

Recent Comments