EAR INFLUXION

Words about electronic & experimental music

SINCE 2010

Mike Dehnert: Lichtbedingt (Delsin) Mike Denhert has always been slightly elusive for me. I’d heard numerous tracks on compilations and previewed several of his 12”s before hearing his...

Mike Dehnert: Lichtbedingt (Delsin) Mike Denhert has always been slightly elusive for me. I’d heard numerous tracks on compilations and previewed several of his 12”s before hearing his...

Autechre: “Lost” (Anti, Warp 1994) Classic Autechre from their very first EP on Warp, during the golden age of Artificial Intelligence.(Source: https://www.youtube.com/)

Autechre: “Lost” (Anti, Warp 1994) Classic Autechre from their very first EP on Warp, during the golden age of Artificial Intelligence.(Source: https://www.youtube.com/)

William Basinski: “D|p 1.1” (Disintegration Loops, 2011) William Basinski’s Disintegration Loops series is a document of magnetic tape loops actually mechanically disintegrating as...

William Basinski: “D|p 1.1” (Disintegration Loops, 2011) William Basinski’s Disintegration Loops series is a document of magnetic tape loops actually mechanically disintegrating as...

Trentemøller: “Miss You (Pascal FEOS Edit)” (Miss You, 2008 Audiomatique) Pascal Dardoufas’ rework of Trentemøller’s “Miss You,” originally the closing track from...

Trentemøller: “Miss You (Pascal FEOS Edit)” (Miss You, 2008 Audiomatique) Pascal Dardoufas’ rework of Trentemøller’s “Miss You,” originally the closing track from...

House of Jezebel: Back in DogTown USA (Voyage Direct) Danny Wolfers aka Legowelt revives his House of Jezebel project with a new two-track EP for Tom Trago’s Voyage Direct Series for...

Ensemble Skalectrik: “Wrekfree” (Trainwrekz, Editions Mego 2013) Nick Edwards a.k.a. Ekoplekz in one of his weirder projects, repurposing old sound effects and easy listening records...

Zoltan: Pardon, What? (Hum + Buzz) Hungarian producer Zoltan’s 6-track EP for Ikonika’s Hum + Buzz label is both fascinating and relentless, an odd amalgamation of post-dubstep...

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